B Stuven
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    • Welcome to Srodka
    • Caged Rock
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    • Four Columns
    • I FIND YOUR LACK OF FAITH DISTURBING
    • W&P Postcard Archive #001
    • Step Tiles
    • 666 Zlotych
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    • HAZARD PARALLAX
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    • Notes on My Practice/ What's Wrong with the Hidden City Project?
    • Gordon Matta-Clark and the Wall Sandwich
    • Construction & Destruction
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    • Limits to Movement Through space
    • Notes on the Work of Marcel Duchamp
    • The Studio
    • Art and the Reality of Fiction
    • Bad New(s) Days
    • Sunlight
    • Faith, Confidence and Belief
    • Not 'Picture Marking'
    • Agnes Martin vs. Pacific Rim
    • A Lament for the Lost Innocence of Abstract Art
    • On Academic Writing and Finding One's Voice
    • The Site of Art
    • Fun Lichtenstein
    • Thoughts on my Practice
    • Psittacittic Minimalism
    • Taking Stock Again
    • On Abstraction 2
    • On Abstraction
    • Fear
    • Notes on Images
    • Statement for Core Gallery Open Exhibition
    • Limitations/ Renaissance
    • Flesh/ Metal
    • Cold War Design
    • Notes to Myself 6
    • Notes to Myself 5
    • Notes to Myself 4
    • Notes to Myself 3
    • Notes to Myself 2
    • Notes to Myself
    • From "The Language of New Media"
    • Responsibilities in Public Art
    • The Word Trap
    • The Simulation
    • The Expanded Moment
    • Context is Everything
    • Truth and Lies
    • Human Evolution and Society
    • Juan Munoz Double Bind/ Mike Nelson The Coral Reef
    • Culturally Mediated Landscapes
    • Possibilities for the Presentation of the Kerbstone Rune project
    • Truth
    • The Work of Thomas Demand
    • Design
    • Keywords, Dualities, Utopias
    • The Broken Line/ Dotted Line
    • Magic and Poetry
    • Hidden City Project
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    • Choosing to Believe
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    • The Readymade
    • Anti-relational Aesthetics
    • Exhibition Press Release and Statement, m2 Gallery
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    • Railway Lines
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    • What if...
    • What to Do?
    • How to Escape the Conceptual?
    • Billboard Project
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    • Notes on Taksonomia/ Taxonomy
    • The Art Context
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    • Questions
    • Why Make ‘Art’?
    • The Elements of Painting
    • 'Meaning'
    • Communication Theory
    • A Practice
    • Taking Stock
    • What is Art for?
    • Worries
    • The Readymade
    • Photographs
    • Neutrality
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    • Space-Time
    • Parallel Lines Converge
    • Membrane
    • Residue
    • Residue
    • The Obscenity of Text
    • Keywords 3
    • Magic
    • Keywords 2
    • Text from Expatiate Extempore booklet
    • Ethical Art
    • The Long View
    • Discourse
    • Hazard Imagery
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    • My Concerns
    • Facile Art
    • The Future/ Language and Mimesis
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    • The Site of the Artwork
    • Manipulated imagery
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