B Stuven
  • Home
  • Paintings
    • Circles & Grids (2016 - ongoing)
    • Concrete, Geometric, Hard Edge (2006 - ongoing)
    • Crystalline Landscapes (2009 - 2015)
    • Cosmografia (2001 - 2012)
    • Architecture & Stars (2003 - 2010, 2021)
    • Other paintings
  • Objects
    • Destruction Constructions (2010 - ongoing)
    • Modernals (2008 - ongoing)
    • Other objects
  • Installations
    • Welcome to Srodka (2007)
    • Caged Rock (2006)
    • Lost & Found (2006)
    • Four Columns (2005)
    • I FIND YOUR LACK OF FAITH DISTURBING (2004)
    • W&P Postcard Archive #001 (2004)
    • Step Tiles (2002)
    • 666 Zlotych (1999)
    • Taksonomia/ Taxonomy (1999)
    • HAZARD PARALLAX (1997)
  • Works on paper
  • Photoworks
    • Serendipity & Degradation
    • Nie Dotykac! (2006 - 2017)
    • Kampania (1999)
  • Videos
  • Archive
  • Biography
  • Notes
    • Convictions in Art
    • Notes on My Practice/ What's Wrong with the Hidden City Project?
    • Gordon Matta-Clark and the Wall Sandwich
    • Construction & Destruction
    • Crisis
    • Limits to Movement Through space
    • Notes on the Work of Marcel Duchamp
    • The Studio
    • Art and the Reality of Fiction
    • Bad New(s) Days
    • Sunlight
    • Faith, Confidence and Belief
    • Not 'Picture Marking'
    • Agnes Martin vs. Pacific Rim
    • A Lament for the Lost Innocence of Abstract Art
    • On Academic Writing and Finding One's Voice
    • The Site of Art
    • Fun Lichtenstein
    • Thoughts on my Practice
    • Psittacittic Minimalism
    • Taking Stock Again
    • On Abstraction 2
    • On Abstraction
    • Fear
    • Notes on Images
    • Statement for Core Gallery Open Exhibition
    • Limitations/ Renaissance
    • Flesh/ Metal
    • Cold War Design
    • Notes to Myself 6
    • Notes to Myself 5
    • Notes to Myself 4
    • Notes to Myself 3
    • Notes to Myself 2
    • Notes to Myself
    • From "The Language of New Media"
    • Responsibilities in Public Art
    • The Word Trap
    • The Simulation
    • The Expanded Moment
    • Context is Everything
    • Truth and Lies
    • Human Evolution and Society
    • Juan Munoz Double Bind/ Mike Nelson The Coral Reef
    • Culturally Mediated Landscapes
    • Possibilities for the Presentation of the Kerbstone Rune project
    • Truth
    • The Work of Thomas Demand
    • Design
    • Keywords, Dualities, Utopias
    • The Broken Line/ Dotted Line
    • Magic and Poetry
    • Hidden City Project
    • Environments
    • Reality and Fiction
    • The Known is the Unknown
    • Choosing to Believe
    • Important Elements
    • The Readymade
    • Anti-relational Aesthetics
    • Exhibition Press Release and Statement, m2 Gallery
    • Betwixt/ in-between
    • The Archive
    • The Box File
    • Archive Project
    • Five Thoughts
    • Themes
    • The Archive/ Book Project
    • My Work
    • Thoughts on My Work: Themes & Ideas
    • Themes
    • Obsession
    • Form of the Project
    • Railway Lines
    • Signs, Objects, Relationships, Connections
    • Hidden Worlds
    • What if...
    • What to Do?
    • How to Escape the Conceptual?
    • Billboard Project
    • Language of Art
    • Notes on Taksonomia/ Taxonomy
    • The Art Context
    • Experience
    • Ethics of the Artist
    • Questions
    • Why Make ‘Art’?
    • The Elements of Painting
    • 'Meaning'
    • Communication Theory
    • A Practice
    • Taking Stock
    • What is Art for?
    • Worries
    • The Readymade
    • Photographs
    • Neutrality
    • Art as Process
    • Space-Time
    • Parallel Lines Converge
    • Membrane
    • Residue
    • Residue
    • The Obscenity of Text
    • Keywords 3
    • Magic
    • Keywords 2
    • Text from Expatiate Extempore booklet
    • Ethical Art
    • The Long View
    • Discourse
    • Hazard Imagery
    • Utopia/ Dystopia
    • My Concerns
    • Facile Art
    • The Future/ Language and Mimesis
    • Language
    • Keywords
    • The Site of the Artwork
    • Manipulated imagery
    • Hazard Paintings
    • Areas of interest
    • Avant-Garde
    • Questions
  • Contact
  • Links
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